March 2, 2012
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Wanna know a secret? I’ve never cared much about the Oscars.
In this week’s new movies, Jennifer Aniston and Paul Rudd play uptight fish out of water on a rural commune, while Woody Harrelson takes on the role of corrupt cop. Here’s what the Post critics had to say: Read full article > >
In this week’s new movies, Reese Witherspoon stars in another manufactured “romaction†comedy and an adaptation of Shakespeare’s “Coriolanus†gets highest marks. Here’s what the Post critics had to say: Read full article > >
In this week’s new movies, Ryan Reynolds attempts to establish himself as a serious actor in “Safe House†and Madonna creates a “beautiful mess†in “W.E.†Here’s what the Post critics had to say: “ Safe House †(R) “As fun as the movie is, it can’t make its own drama convincing, much less give [Ryan] Reynolds the nudge he needs toward Matt Damon-ville.†— John DeFore Read full article > >
In this week’s new movies, one of the contendors for Best Documentary in the upcoming Academy Awards wows Post critic Stephanie Merry, and Daniel Radcliffe manages to be somewhat convincing as a widower with a child and a law degree, despite the fact that he’s still only 22-years-old. Here’s what the Post critics had to say: Read full article > >
In this week’s new movies, Glenn Close plays a nineteenth-century Irishwoman who disguises herself as a man and Liam Neeson leads a group of oil-rig roughnecks after their plane crashes in Alaska. Here’s what the Post critics thought: Read full article > >
Haven’t seen many of this year’s Oscar-nominated films ? You could watch the trailers for all nine Best Picture-nominated films, or you could just check out Ali Gray’s brutally honest movie posters. Gray’s revised posters poke subtle fun at the actors and plots of this year’s top films, and his slick photo maÂnipuÂlaÂtion skills make them look as though, in a less tactful world, they could be …
At 8:30 a.m. this morning, the Academy released this year’s nominees for the 84th Academy Awards, coming up on Feb. 26.
In this week’s new movies, the adaptation of Janathan Safran Foer’s novel hits bottom and a new tough-girl kicks big-screen butt.