Movies Suck (in Arts and Culture)
The elephant in the theatre is this: films aren’t even worth pirating these days.
January 31, 2013
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The elephant in the theatre is this: films aren’t even worth pirating these days.
This article lists some of the best war movies ever made in India
In a Hollywood battle over real-life tech that may say as much about the state of the movies as how angry Steve Wozniak is right now, Steve Jobs’s right-hand man is doing some posthumous fuming over the first of two biopics about the main Apple genius — and the Ashton Kutcher vehicle is biting back.
The new SiteTrail list of online moives will provide a great user experience, effectively replacing old file sharing technology.New York (PRWEB) January 25, 2013 SiteTrail is happy to announce that it has finally added the much awaited movie portal. Internet users that keep searching for free movies to watch online can now use our portal to access the great entertainment
PARK CITY, Utah – The Sundance Film Festival isn’t home to many shoot-’em-up movies, but action-oriented actors at the festival are being questioned about Hollywood’s role in American gun violence.
[by Kang Jung yeon] DVD of K-pop star Big Bang’s world tour concert will be released. As their first world tour concert, they went to 12 different country and 24 different cities
I’ve been writing about Hollywood movies for a long time.
Chances are pretty good that if you went to the movies this weekend, you went to see something with Jessica Chastain in it. Her two current movies, Zero Dark Thirty and the horror film Mama, topped the box office this weekend.
Chances are pretty good that if you went to the movies this weekend, you went to see something with Jessica Chastain in it. Her two current movies, Zero Dark Thirty and the horror film Mama, topped the box office this weekend. Mama won the weekend with an estimated $28 million and Zero Dark Thirty ranked second with $17.6 million, according to Exhibitor Relations.
A bold, atypical thriller from Ealing, scripted by the theatre critic Kenneth Tynan and starring Maggie Smith in her first film role.