After years of being visually pummeled by ever-bigger-louder-brasher blockbuster material, film critic Tom Long prefer movies that are intimate, that grasp for human connection.
Mega producer Scott Rudin is spitting mad at The New Yorker’s film critic David Denby for his freshly published review of The Girl with the Dragon Tattoo, two weeks before the film’s release and ahead of the time-honored “embargo” studios ask critics to honor.