As “faith-based” films flooded into theaters last year, writers fell over themselves to declare 2014 the “year of the Bible movie.” It seemed as if the market—meaning Christian audiences to many—had finally come into its own, a decade after the runaway box-office success of The Passion of the Christ. Certainly, movies that reinforce beliefs their target audience already hold can make a lot of …

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Can Indie Filmmakers Save Religious Cinema?

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